Haven’t written for a while, because I’ve been super busy in the studio with several big mixing projects, as well as some remixing/reworking type projects.

However, I just wanted to add a quick article to my “Must Have” series to point out the UAD Cambridge EQ, which I use on somewhere around 80% of the tracks in a mixing project. It’s not a plugin that will blow you away with its vibe or sound. What it is, simply, is a very flexible EQ that does its job cleanly and easily while hardly using up any of your UAD card’s processing power.

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If you’ve read some of my other articles on this site, you may note that I’m a huge fan of using high-pass filters on almost every track, to get rid of low end rumble and other subsonic noise that just eats up energy and takes up valuable low end space. Most tracks, other than the bass and kick drum, get aggressively filtered to remove most of the frequencies below somewhere around 80 to 100 hz. In most modern pop/rock & electronic based music, you want to reserve those lowest frequencies for your bass and kick drum. Those frequencies simply aren’t needed in most other instruments, especially in a very busy mix.

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Even with the bass and kick drum, I’ll often still use the Cambridge, set to the Elliptic filter, which has a nice little resonant peak at the cutoff frequency. I use that to slightly boost the lowest frequency I want for my bass, or the deep thud of the kick drum, while simultaneously getting rid of all the subsonic frequencies that I don’t want.

The best thing about the Cambridge is all the filter choices you have for both high-pass and low-pass filters. It’s worth the price just for all those choices! But, you also get 5 other bands of fully parametric EQ to play around with, including three different “types” to choose from, which affects the shape of those 5 parametric EQ bands. Most of the time I’m using the Cambridge just for the high-pass filters, but it’s also a great EQ to use to zero in on problem frequencies and do some subtractive EQ to fix those. It doesn’t really have a sound or character, so if I want to do some aggressive EQ boosting on a track, I’ll usually pick another EQ that has more character to it. Often, though, when you don’t want anything other than a neutral utility EQ, the Cambridge is more than enough to fit your needs.

This is definitely one of those plugins that I can’t live without. New plugins are constantly being released, and I’ll often try them out and use them for a few projects, but then many of those stopped getting used after a while. The Cambridge EQ, however, is one that gets used in almost every mixing project I do!

EQ is one of the most basic—and important—tools you have as an audio engineer.

But there are so many different EQs out there, how do you know which ones are for you?

You might be thinking your DAW’s channel EQ is perfectly fine. But not all EQs are the same. There’s more types than you might think.

Here’s the 15 best EQ Plugins on the market today:

This article will teach you about the common styles of EQ and how to use them to shape the perfect sound.

Let’s dive in!

Analog EQ

Early EQs were all analog. Some of the earliest equalizer designs are still around today.

Engineers covet these analog beauties for the musically pleasing way they shape sounds. The musical qualities are the result of the unique circuit design of each unit.

Certain EQs became so sought after that plugin designers developed software to emulate them as closely as possible in the digital domain—leading to a mind-boggling ocean of plugin choices.

So what are the different styles of analog EQ? How do they work? What are they used for and where do they work best?

There’s no hard and fast rules when it comes to choosing an EQ. But there are some helpful guidelines that will help you get started with the classic designs.

Pultec-style EQ

The Pultec EQP-1A is the most sought after EQ ever. Well-preserved original units can sell for over $10,000.

The Pultec EQP-1A is the most sought after EQ ever.

Fortunately for us, the EQP-1A has a long history of software emulation. Today’s Pultec-style plugins can sound good—if you know how to use them.

Pultec-style EQ can work wonders to subtly boost top end or extend lows. It can even make broad EQ enhancements without sacrificing any of the original vibe of the sound.

Since the EQP-1A hails from the earliest era of equalizers, it’s control scheme is a little less intuitive than modern designs.

The bandwidth control affects both the high and low band, but low band works differently from the high band.

For the low band, the boost and attenuate knobs are both linked to one of four frequency options. This quirk allows you to both boost and cut at the selected frequency.

The overlapping filters create a steep bump that’s fantastic for boosting the fundamental frequencies of low end instruments.

The high band has separate frequency options for boosting and cutting with overlaps at 5 and 10 kHz.

These controls are interactive and can result in some unique equalization curves.

Best Pultec EQ VSTs

Free Plugin: Ignite Amps PTeq-X

Rubaiyat of dorothy ashby rare. Ignite Amps PTeq-X is a fantastic (and free) way to get started with Pultec-style EQ. It works just like the original so you can get a sense for creating those quirky overlapping curves.

Cheap Plugin: Waves PuigTec EQP-1A

The Waves PuigTec EQP-1A is a well-emulated, workhorse Pultec EQ. It’s very affordable if you can catch it on sale.

Pro Plugin: UAD Pultec EQP-1A

The UAD Pultec EQP-1A is the industry standard software Pultec. UAD spared no expense in creating the perfect Pultec for your DAW.

SSL Channel EQ

SSL console strips did a lot to inform our idea of what a modern EQ is.

Classic features we’re familiar with today like integrated high/low-pass filters and variable Q were popularized by these consoles. Vipkid teacher app for mac downlaod.

The SSL consoles are famous for their incredibly powerful filters.

The sharp high/low-pass filters, precise frequency ranges and extremely narrow Q options make this a EQ a first choice for surgical suturing and dramatic tonal changes. Their character is precise but aggressive.

Best SSL EQ VSTs

Free Plugin: Smacklabs Logic Channel

Smacklabs Logic Channel is a good entry-level SSL EQ. This free plugin models the entire SSL channel strip, so you can try out the classic SSL-style compressor and gate/expander while you’re at it.

Cheap Plugin: Slate FG-S

The Slate FG-S comes bundled with their very affordable VMR channel strip collection. The FG-S packs all the features and sound of the aggressive, surgical SSL channel EQ.

Pro Plugin: SSL Native Channel Strip

SSL recently jumped into the software game with its own line of plugins—including an in-house version of their classic console channel strip. Why not go straight to the source?

API-style EQ

Experienced engineers